![]() ![]() ![]() The novel’s brilliance lies in Kennedy’s commitment to nuance. Disaster soon becomes inevitable, but no matter how close Cushla’s life comes to collapse, Kennedy’s unyielding narrative voice exhibits heart-wrenching impassivity, forcing readers to grapple with their own prejudices and morals. ![]() There’s also Davy McGeown, a child in Cushla’s class whose father is brutally beaten. ![]() There’s Michael Agnew, an older, married Protestant barrister with whom Cushla begins a surreptitious affair. Quicker than she can make sense of, Cushla forms new relationships that drive her personal life into the public eye. The school’s headmaster even insists that Cushla’s 7- and 8-year-old students devote time each morning to reporting and commenting on the day’s most horrific news, from bombings to internments. The sectarian violence between Republicans (largely Catholics) and loyalists (largely Protestants) has become overwhelmingly ingrained in society. The novel centers on Cushla Lavery, a Catholic teacher living near Belfast who also works part time in her family’s pub. Trespasses exposes the crushing realities of Northern Ireland during the “troubles” while paying respect to the people who found their way through the destruction. Louise Kennedy, chef of nearly 30 years and author of the short story collection The End of the World Is a Cul de Sac, emerges with a debut novel that will fill every historical fiction fan with gratitude. ![]()
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